The guilt he later expressed over his family’s part in the war is clearly expressed in his film Porco Rosso, a strange fairy tale about an Italian air ace navigating his homeland’s growing fascism. Miyazaki Airplanes manufactured parts for Japan’s Zero fighter planes during World War II, and that, too, had a long-term effect on the director’s thinking. But it’s particularly visible in Castle in the Sky, where half the action takes place aboard steampunk-ish airships, among fantastical flying devices, and ultimately in and around a flying city. His obsession with the mechanics of flight stretches unmissably through all his films. Miyazaki’s father ran a family business, Miyazaki Airplanes, and the director grew up around airline designs and parts.

Miyazaki’s father Katsuji, an aeronautical engineer, was a key influence whose impact has been felt in every one of the animator’s major works. Or fans could say it began before then, when Takahata and Miyazaki separately discovered their interest in animation, which led them to Japan’s Toei Animation, where they honed their talents and their narrative voices.īut given how significantly Miyazaki’s tastes and personalities in particular came to define Ghibli, it’s easiest to say that the studio’s story started with his immediate family. Arguably, the story began when animators Hayao Miyazaki and Isao Takahata, two of Ghibli’s co-founders and its most prolific film directors, met and worked together on anime projects like the 1968 feature film Horus, Prince of the Sun and the 1970s Lupin the Third television series. The Studio Ghibli story began long before Castle in the Sky, the ambitious action-fantasy that was the Japanese animation house’s first release. Read all of the stories on our Ghibli Guide page. With Studio Ghibli’s library now on digital and streaming services, we’ve surveyed the studio’s history, impact, and biggest themes.

Muska castle in the sky